Sunday, February 23, 2014

SEASHELL and BURLAP LAMPS

 
 
 

I have had a question or 2 about the new look on these lamps.
It was a simple 5 minute change using burlap (left over from another project)
and white beach shells (found at a second hand store).
 
Cut the burlap into strips then fray the edges by pulling a couple of the threads from the sides.
The shells were hot glued on the center of the burlap strips, then wrapped around the shade.
I used a small dab of hot glued to secure the ends of the burlap together on the back side.
 
 

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As Perfectly Perfect As Humanly Possible

Michael Jordan late in the fourth quarter with the ball in his hands, driving hard to the basket.

Harry Houdini hanging upside-down by his ankles, shaking his way out of a straight jacket and a pair of handcuffs.

Roy Underhill, axe hoisted on his shoulder, standing before an audience with a smile on his face and a story to tell.

Eddie Van Halen standing in the spotlight, hair dripping with sweat and he leans into his reverb enhanced "Frankenstrat" and drives into a heart stopping performance of "Eruption."

Photo borrowed from Wikipedia Commons
All examples of masters at the top of their game. They are awesome to witness at action, in their element, and in perfect control. Every endeavor has its innovators and masters and the story is repeated again and again through a multitude of disciplines. They have high levels of skill built on layers of experience and hard work and it is both inspiring and humbling to witness these individuals at practice and play. I recently had a chance to watch a man I consider a master at work in his new home.

Ive written here before of the respect I have for Bad Axe Saws and their maker Mark Harrell. I have two of these saws in my tool chest now and I built it with room for two more. These two saws a couple of the most reliable problem solvers in my arsenal. Ive met with Mark a couple times, we live in the same area, and he is an extremely knowledgeable person with a passion to make the best damn saws possible. He has impressed me from the get go.

My twin Bad Axe guns, A hybrid, 12" dovetail / small tenon saw and a 12" carcass saw. 
The only credible issue there has ever been is his backlog of work. Up until relatively recently Mark worked hard everyday turning out saws from the basement workshop of his home. He worked by himself and turned out great saws, but one man can only accomplish so much in a day. I was encouraged a while ago when he started to hire some staff and build a crew to help him turn out saws at a more timely pace.

Then I heard the best news of all for Bad Axe Saws. Just after this years WIA Midwest conference Mark made like it was groundhog day, He poked his head up above the below ground digs of his "Saw Dungeon" and found the fresh air and daylight to his liking. He found a good shop space with all the accouterments a business needs to grow. The new Bad Axe Emporium is a large, spacious place with lots of light and room. I got an invite to visit the other day, even though they are still settling in, and it is great to see a man and a business Ive supported for a long time do well and come into its own. Its kind of like watching your football team win the Super Bowl.

A look across the Bad Axe Emporium from behind Marks personal bench. In the background you can see Mark and one of his employees working together to fit a back onto a troublesome saw plate. 

Now I am a cynical man. Im not proud of it but its just the color of the stripes on this tiger, and when I heard about Bad Axe growing and taking on staff I had some troubling thoughts. I knew Mark could turn out a great saw, but it crossed my mind that as you mess with a recipe you can spoil the soup. I worried that more hands on deck might somehow lessen the quality of the finished piece. Now as a rational person, I know Mark cares deeply about his product and reputation and would not let someone else get in the way of those things, but me being me, I had worries.

This is why I was so glad when Mark reached out and invited me to visit the new shop. It took all of about five minutes for me to realize how unfounded those worries were. You could see it in the set up of the shop and its work flow. Mark has his own, personal bench and set up and all the work in the shop funnels to him for its final preparations before shipping. He has help doing the basic build work now like assembling the correct parts for the order, mounting the backs and the handles, and hammer setting the teeth. But every saw  moves through Marks hands for checking the quality of the saw assembly, jointing and filing the teeth and making sure the saw is top notch before it gets packed up to head out to your shop.

A shot of Marks personal bench space, an awesome slab workbench where every saw gets put through its final paces before it gets to your shop. 
I have to admit, I was surprised at how much goes into those final adjustments and touches. I have pulled vintage saws apart, cleaned them and sharpened them to good results so I thought I knew a bit about the process. Its kind of like saying a child who can recite the alphabet could replicate Shakespeares sonnets  Could they learn to do so? Yes, but not without years of study and work. I thought I knew what went into saw making and maintenance, but after spending just one afternoon watching and talking with Mark, I learned so much more.

After a quick tour around the place and the various stations. Mark and I discussed saw handles and how they fit your hand. Yes, if your paw is bigger or smaller than the average bear you may never know what its like to use a saw that fits your hand and Mark has the answer to that as he can size his handles to the customer. Options are the real beauty behind buying a Bad Axe Saw. From the wood species and size of the handle to the metal used for the back and saw nuts to custom filings. When hes done your saw will look and perform exactly like you want. Not sure what you want? Drop him a line and hell answer all your questions and put you on the right path.


Mark pulled down one of the next saws in his queue to show me the process he goes through to get the assembled saws up to his standards. It starts with joining the teeth of the saw. When I joint teeth I use a jig to keep my file flat, Marks practiced hand was able to just grab a file, make two runs, and move on. I already knew at this point I was watching someone who had mastered his art.


The process continued as I watched him start to file the teeth to shape and sharpness. In my shop I had recently resharpened my crosscut panel saw and there was a distinct difference between my work and Marks educated hands. You could even tell he was using a heavier touch on his first pass, then a lighter touch to his second pass.


I use a couple of shop made guides when I sharpen. They help keep my angles more or less consistent. Marks hands were a machine and his eyes were watching to assure he achieved exactly the right results. The fluidity and economy of movement throughout the whole sharpening process was inspiring. I dont easily throw around terms like "master" or "virtuoso" but it was clear Marks done this a time or two before.


With the file work done he stones each side of the tooth line to remove some of the burr and tease the saw into cutting straight. Quality saws will cut the line for you, all you really have to do is provide the kinetic force to move them and be smart enough not to get in their way by trying to over control them.


Then came a process that surprised me a bit. through the assembly process, and the joining of the saw plate and the back, a saw can pick up some slight warp and twist. Mark removes the handle and uses a couple crescent wrenches and a practiced eye to adjust the plate fair.


Then he replaces the handle and goes about rechecking and readjusting to get the saw blade lined up perfectly with the handle. The forces of the handle and the saw nuts can change a saw and need to be taken into account.


This process took him the longest, maybe ten minutes, and by the end he was adjusting and fine tuning for imperfections that I couldnt even see until he put his finger on them to show me. This dashed any of my foolish notions that more production and personnel would lead to less of a product. I would think it only increases the quality of these saws because it frees up Marks hands and eyes to focus on making the saw as perfectly perfect and humanly possible before it leaves the shop.


I lost track of time while I was watching him but Id estimate the process took him around forty-fives minutes from start to where he was happy enough to let me have a test cut or two.


How are you going to go to the Bad Axe Emporium and not come away without making some saw dust? Come on man, this 10" 15 ppi "Doc Holiday" dovetail saw tore right through 5/4 white oak without even stressing about it. This is something I continue to be amazed at. Its something that in my estimation a high ppi saw shouldnt be able to handle, but Marks saws laugh at the challenge.

Besides demonstrating his mastery over steel and wood Mark also shared some other exciting information with me and I want to spread the word.

The first thing is that he is so happy to be working up above ground level that he is throwing a party. Bad Axe Tool Works will be having a big open house this coming January 12th 2013, from Noon to Four PM. I will be there and so will other woodworkers, woodworking instructors, and tool makers. It is bound to be a good time. If youre interested in coming you should drop Mark a line HERE.

The other exciting news is Mark decided to start teaching classes on his saw filing techniques to the world. With such a great shop and all the space and benches he needs hes thinking of having quarterly classes on the subject. I know Ill be in attendance because there is no one Ive met who has a better understanding of this important tool, and if it makes me a better sharpener and sawyer, then count me in.

To keep up with information about what Mark and Bad Axe Tools is up to you can always visit his website, www.badaxetoolworks.com or keep even more up to date by liking and following Bad Axe on Facebook by going to www.facebook.com/BadAxeToolWorks

Ratione et Passionis
Oldwolf
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Saturday, February 22, 2014

Small Gift Boxes continued Stained Boxes

Hi Everyone,

Well, I took all the remaining boxes down to the wood shop and lightly stained them all. And they came out looking a little more colorful than they were before. Heres a photo:


The hackberry box really benefited from this as the spalted areas show up very strongly now. All in all, a good idea. Im going to let these all dry completely and later tonight Ill give them a coat of polyurethane. I plan on apply two coats and then polishing them and sending them on. Ill post finish photographs probably on Saturday.

____________

Its been blazing hot here this week and Im really tired. Im going to defer working on the bed frame until this weekend.

See you all Saturday,

VW


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Back to Work Project finish photos

Hi Everyone,

Im back to work and slowly getting back into to the swing of things. While I was busy last week I had a couple of hours to kill and so I completed a couple of recent projects.

Here are the finish photos:

The Oatmeal Bowl

This is the bowl I started for a cousin of mine in California. Ive been reading Robin Woods bowl book and was entranced by the wooden bowls that were retrieved from the excavation of the Mary Rose that he writes about. I wanted very much to do a couple of projects based on the design of those 500 year old bowls so I created several turning blocks out of a linden wood tree branch that I retrieved earlier this summer. My intent then was to produce bowls similar in shape, design, and size to those bowls used by the crewmen onboard that ship.

Here is the first. Its a little larger than a personal soup sized bowl. The wood contains a lot of mineral staining and it has a rather rustic look to it. This is the interior of the bowl:


And this is a side view. You can see that the bowl is a little distorted and that was intentional on my part:


And the bowl will be mailed to my cousin later this week along with one of my cooking spoons and a bag of my favorite steel-cut oats and a brief history lesson:


Sharing Wood Turning bowl:

This is the bowl I made with my nephew several weeks ago when he was here visiting. I really enjoyed getting to know him again while he was here and he seemed to enjoy his brief intro to wood turning. We produced a small bowl than the previous bowl and this has a slightly different rim. Both bowls have   chamfered rims like the originals which enabled their owners to drink from them as well as eat from them: 

 Here is a photo of the interior along with a smaller, eating sized spoon that I made for him. As hes something of a foodie Im also sending him a bag of my favorite steel cut oats for him to experiment with:

The Kuksa

Along with the above two bowls, I produced a small kuksa, which is a small wooden cup. I carved it down from the larger cup-blank of several weeks ago and here it is at present. Turning this with the handle protruding was a real pain and so I dont recommend trying to turn a kuksa in this manner. The next time I do this Ill turn a wide section just beneath the rim and carve out the handle from that.

This still needs some refinement and Ill have to think of a good finish for this. Ill probably finish it with salad bowl varnish like the bowls above:


The Veggie-Dip Bowl

This came out rather well. Im sending this to a friend in a week or two as a Christmas present. I hope shell enjoy it:

I think we can stick a fork in those projects and call them done.

Its freezing cold outside and its also Thanksgiving week here in the US so Im going to put off started my next project until the end of the week when its supposed to warm up some.

The next project is the long promised box elder bowl for a friend of mine.  See you all on Friday.

VW
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Metamorphosis in Progress

"When I was a child, I was speaking as a child, I was led as a child, I was thinking as a child, but when I became a man, I ceased these childish things."
-1 Corinthians 13:11

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I feel like Im at a bit of a crossroads in my woodworking journey. Ive spent several years now working to learn and re-learn how to go about working in this craft I have some to love. It started with a fascination with hand tools and learning to use them and it has spread across all the aspects of my work. Along the way I have been focusing on building a shop that I want to work in, with the appliances I needed and the storage I wanted. It hasnt always been an easy journey to explain.

This last February I traveled to Millwaukee to attend "The Woodworking Show" it was an enjoyable afternoon and the highlight was getting to meet and make friends with Andy Chidwick and his family. (for those of you who live under rocks Andy runs the Chidwick School of Fine Woodworking in Montana, one of the top two places I would love to go and take a few classes) One of the first things he asked was, of course, "So what are you working on in the shop right now?" and I had to smile at the quizzical look I received when I replied "A couple of wooden squares."


The response isnt Andys fault. I was at an odd part of my journey and I know the response he expected was akin to "Well Im finishing up the veneer on this Bombe secretary but Im having troubles getting the hide glue to heat just right." How was someone so accomplished to understand what I was really up to, stripping my woodworking hobby back to the bare nuts and bolts and trying to rebuild it stronger and more stable. Maybe a more appropriate response on my part could have been, "Im focusing on skill building with stock sizing and design details by building some layout squares for my shop."

Of course Im not smart enough to some up with something like that on the spot, It takes me ten months and editing the words on a computer to be that smooth.


I havent built shop furniture exclusively for the last few years, notably Ive finished a nice sized Medieval Hutch Chest and a William and Mary Bookstand along with a few other things, but mostly these explorations were extensions of lessons I had relearned. I would say especially theres a big connection between the lessons I learned building wooden layout squared and the William and Mary Bookstand.

Once I finish the build of my traditional tool chest I will have nearly run out of things to build "just for the shop" in two and a half years Ill have built two workbenches, a saw till / storage shelf combo, a tool chest, a sandpaper storage box, and multiple other smaller projects. It is time to begin to look outside of what to build for my shop and decide what furniture I want to build for myself, my family, my friends, and maybe a couple clients.

The road stretches ahead, but the journey is still the same. On the move between apprentice and master. I will continue to record the journey here, including the bumps along the way. You will see some differences as I focus more on becoming a student of furniture in addition to being a student of woodworking techniques. You will see more words used up on design and preparation as well as the process. With shop furniture I could work from a rough sketch in my book, Ive taken to drafting things out to scale on graph paper again so I can really see the proportions. The metamorphosis is in process, and Im excited to see where the next stage takes me.

Ratione et Passionis
Oldwolf
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Music box continued and were getting more snow sigh

Hi Everyone,

Ive decided to do an hours worth of wood turning everyday regardless of how cold it is. Im getting cabin fever and the only remedy for that is time in the wood shop. Period. End of discussion.

Here is my hours worth for the day:

I was thinking about the music box and what the next several steps should be and I decided it might be a good idea to cut the exterior of the box. Doing this will help establish the thickness of the walls of the box. I dont want them too thick or the wood might muffle the sound of the music box mechanism. Too thin and the box might crack or break if dropped.  So I decided to shape the bottom edge and exterior sides of the box. Here are the photos:

Ive decided to go ahead concave the sides of the box. Since its a rather wide, squatty looking thing, I think pushing the sides in will alleviate that appearance somewhat. To keep the box firmly in the chuck jaws, Ive decided to turn it between centers and Ive moved up the tailstock to do just that:


Im going to cut away that extra unneeded wood on the left side of the groove in the body of the box. Ive also marked the center of the exterior so the concave surface will be symmetrical:


And here is the box about a minute later. Next Im going to turn the bottom edge under. I used the long edge of my skew chisel for that:

And here it the bottom edge. Using the skew leaves the surface of the wood very smooth and I have great cutting control with the long edge of the skew pointing down towards the wood:


In this photo you see how the surface is starting to curve inwards. Whenever I turn a concave surface, or a convex one for that matter, I like to keep an eye on the horizon of the piece while Im actively turning. I can see the shape appear instantly that way and I can get the entire surface symmetrical by doing it. This is one of the few examples when Im not looking directly at the cutting surface of the chisel:


Here is  the shape thus far. Its not quite symmetrical at this point but I can even that out with a little light sanding. Ordinarily I would cut the shape out completely but since this wood is so soft, I can easily accomplish the finish shaping with some sandpaper and a few minutes of sanding:

Here is the box spinning on the lathe:


And here is the finished surface:


I decided while I was doing this to cut the tenon down about 1/4" and to widen the lip that the lid will sit on:

And here is the box-Ive rotated the photograph to get a better idea of what it looks like standing upright:

My next step will be to hollow out the box another 1 1 1/2". More on that tomorrow.

Well, its snowing and its time to go in and do the laundry. Im beginning to recovery from my cabin fever.

More tomorrow,

VW
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Friday, February 21, 2014

Garden Design Fall Color

Brooks Kolb LLC - Seattle Landscape Architecture | A Word About ...
Brooks Kolb LLC - Seattle Landscape Architecture | A Word About
Brooks Kolb LLC - Seattle Landscape Architecture | A Word About ...
Brooks Kolb LLC - Seattle Landscape Architecture | A Word About ...
Brooks Kolb LLC - Seattle Landscape Architecture | A Word About
Brooks Kolb LLC - Seattle Landscape Architecture | A Word About ...
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